When discussing the works of Van Gogh, his mastery and very prolific use
of colors are often mentioned. Indeed, in works like The Painter on his
Way to Work, Sunflowers and Wheat Field with Crows are all examples of Van Gogh using colors to great effect.
However, when we look at his earlier works, they are very much
dominated by dark earthen hues. Indeed, in works like The Potato Eaters,
it is hard to find the characteristic color and feel that made his
works famous.
The change in coloring came after Van Gogh went to Paris in early
1886. Upon experiencing the works of the likes of Adolphe Joseph Thomas
Monticelli and Paul Cezanne,
Van Gogh immediately started to experiment with a much lighter
palette. In Paris, Van Gogh also met Monet, Sisley, Degas and Pissarro
and got further inspiration in his use of brush and color. Another
influence for Van Gogh in Paris was Paul Signac and in style of
pointillism. Van Gogh himself experimented with the style and
incorporated elements from it into his own trademark painting style.
One last important meeting for Van Gogh in Paris was with Paul Gauguin whom he met and befriended.
It was through these many inspiring artists and their work that Van
Gogh himself opened up his art and style and let himself develop as an
artist. Without Paris, Van Gogh might never have found his own light
palette, and we might never have experienced the full works of Van Gogh
that this development brought with it.
From Paris, Van Gogh brought his new-found inspiration and moved to
Arles, Saint Remy and finally Auvers-sur-Oise. Most of Van Gogh’s most
masterful creations were painted at this time, with his art influenced
by Paris and the artists he met there. Without Paris, there could be no
Café Terrace at Night, no Starry Night, no The Sower. Van Gogh indeed found his bright palette in the City of Lights.
The Red Vineyard
As is well known, Van Gogh did not sell a lot of paintings during his own lifetime. However, at an exhibition in Brussels in 1890, the painting “The Red Vineyard” was sold to collector and impressionist Anna Boch. As such, it must be considered among the most successful paintings for Van Gogh during his own lifetime.
Van Gogh painted “The Red Vineyard” in November of 1888 while he was staying in Arles. The painting featured a heavy use of red and yellow colors to portray the red wines and the power of the sun. The yellow rays of the sun indeed fill up the whole sky and are reflected in the waters of the small pond in the right of the painting as well. The yellow field in the background complements this yellow impression. The brush strokes of the painting are typical Van Gogh, with deep strokes contrasting with each other. We also see that Van Gogh has set an aura around the sun, as we also see in later works like “The Starry Night” around the stars and moon.
“The Red Vineyard” was later sold to Russian collector Sergei Shchukin who also bought “The Night Café” Both were later nationalized and passed on to the Pushkin Museum of Fine Arts in Moscow.
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Van Gogh, the early works
The works of Van Gogh are among other justly famous for the vivid use of color by the artist. Indeed, from his famous Sunflowers to “The Night Café” and Wheatfield with Crows”, the use of strong colors throughout is defining for his work. Yet, if one looks at the early works of Van Gogh were not dominated by such strong colors. Rather, in the period 1883 – 1886 when Van Gogh was just beginning to paint using oil colors, his work was more dominated by dark and somber earthy tones. His main subject in this period was the peasants of the Dutch countryside and the hard life they led. Van Gogh wanted to portray this life and contrast it with the life emerging in the cities.
The main work of this period is also a good example of Van Gogh reproductions during this period. Thus, “The Potato Eaters” from 1885 shows a group of peasants sitting together in the evening having some food. The colors are dark, the people unattractive and the realism of the scene uncanny. The earthy tones of this period of work certainly dominate the painting. The subject focus is on the peasant life and its hardships, as was indeed general for the period.
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Church Auvers
One of the more haunting images created by Vincent Van Gogh is The Church Auvers. Van Gogh Paintings during his time in Auvers Sur Oise, it was painted from memory and is part of his “Memories from the North” series. The depiction of The Church in Auvers also bear vitness to the importance of Van Gogh to the coming expressionist and modern art movements. The church is painted from memory but it is clearly not warped like this on reality. However, Van Gogh chooses to give it a warped appearance with forbidding sky in the background in order to give the viewer a gloomy impression of the place. This direct influencing on of the view, at the cost of authenticity in the depiction, inspired the expressionist movement, just like the choice of color over line further led to modern art.
In the painting, we see the sun shine generously on the area n the front of the painting. Here a road runs and lush green plant life surrounds it. However, as we move closer to the church, the sun disappears. The church and the area around it seem to be in a shade of its own making, as no light is reflected or is able to enter this area. Additionally, the church building itself seems warped, with roof and beams all seemingly non-strait. Behind the church, the sky looks menacing. This is re-enforced by the thick brush strokes of Van Gogh which helps create a sense of movement in the sky above. The road in front of the church also splits into two. This motive of diverging paths was also seen in Wheatfield with Crows, and can probably be said to reflect the choices Van Gogh himself saw himself as facing as his sanity battled for control of his soul. The Church in Auvers can today be found at the Musee d’Orsay in Paris, France.
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Van Gogh's Self Portraits
As an artist, Van Gogh had a number of subjects that he continuously returned to which also make great oil painting reproductions. This includes flowering orchards, flowers, wheat fields, cypresses and self portraits. Of these motives, self portraits stands out as while the other subjects can help us understand the mental state of Van Gogh, the self portraits also help us see Van Gogh’s view of himself. As such, they add another level of enlightenment to our understanding of Van Gogh. Van Gogh was very active in the practice of self portraits. In the period between 1886 and 1889, he painted 37 self portraits. Amounting to almost 1 per month in the period, this thus gives us a unique almost biographical insight into the artist’s view of himself in these years.It is also worth noting that in 1890, when Van Gogh had moved to Auvers-sur-Oise, he did no longer produce any self portraits of himself. This despite the fact that this was his most productive period, with almost a new painting completed every day, he did not produce any self portraits at this point.
Previous Van Gogh self portraits can be divided according to where they were painted. A large part were made in Paris, and especially the early one of these were done in the slightly darker colors the artist featured then. From Arles, we have normal portraits as well as some where the left ear of the artist is covered by a bandage. These are from January 1889, shortly after he cut off part of his ear. The following self portraits from Saint Remy only show the artist facing with the left side of his face visible. He never did a self portrait in Saint Remy that showed his right side, with his damaged ear. The self portraits of Van Gogh are in themselves very famous. Among them we find Self Portrait Without Beard from 1889, which was sold for USD 71.5 million on auction at Christies in 1998. Self Portrait with Straw Hat and Self Portrait, both from 1887, are also among the most loved self portraits by Van Gogh.
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Almond Tree on Blossom
Van Gogh paintings have a number of motives that he liked to return to at specific times of his career. Among these, we find self portraits, Sunflowers, Cypress Trees, What Fields and flowers.
Another series was dedicated to flowering orchards. Van Gogh painted this series of 14 paintings when he first arrived in Arles in 1888. Full of optimism and hope for the future, Van Gogh’s depiction of the orchards fully reflected this. He was on his way to found his colony of artists in the beautiful French countryside. This upbeat mindset was reflected in the series of 14 paintings.
Almond Tree on Blossom is among these painted by Van Gogh in early 1888. It depicts a single Almond Tree blossoming in the early spring in an orchard outside of Arles. While spring is yet to completely banish the hold of winter on the land, the flowers are blooming and brings new life to the countryside. Van Gogh’s focus here is clearly on the flowers of the tree themselves and the new life they bring. Perhaps he himself shared this sense of re-birth at this time in his own life. Having escaped Paris to start anew in Arles, this was indeed also the artistic rebirth of Van Gogh as he continued to produce some of the most potent works of art ever.
The flowers of the almond trees are thus a forbearer for the beauty that the summer was yet to bring. Van Gogh reproductions.
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Starry Night Over the Rhone
Among the most popular Van Gogh paintings, we find The Starry Night. With its dramatic swirling night sky above a quiet village, it is among the most celebrated paintings by Van Gogh. However, it was not Van Gogh’s first full depiction of the night sky. Rather, in 1888 while staying in Arles he painted Starry Night Over the Rhone, a similar yet quite different depiction of the night sky.
The similarities are clear. We are looked at a star filled night sky over a quiet town. Rich dark blue colors are used to depict the night and the special atmosphere it brings. However, the similarities end here. Because, while The Starry Night is dramatic and in constant motion, the night sky in Starry Night Over the Rhone is quiet and peaceful. Indeed, in this painting we see the peaceful town of Arles on the banks of the Rhone. A couple of lovers is walking on the banks Rhone, while the lights of the city are reflected in the river. Above, the sky is illuminated by numerous stars that twinkle. It is an idyllic and peaceful scene, a place for lovers to go, quite unlike The Starry Night
.
The differences in the nature of these two night paintings can be traced back to when they were painted and the mental state of Van Gogh at that time. Starry Night Over the Rhone was painted after Van Gogh had arrived in Arles. He was optimistic and content, using his newfound mastery of colors to depict the beauty he saw around him. The Starry Night, on the other hand, was painted in 1889 while Van Gogh was at the hospital at Saint-Paul-de-Mausole. As such, his mental state was much less stable at this time, his mind much more in turmoil. This state of mind is clearly reflected in the sky of The Starry Night.
Van Gogh himself wrote to his brother Theo about his sketch for Starry Night Over the Rhone:
“Included a small sketch of a 30 square canvas - in short the starry sky painted by night, actually under a gas jet. The sky is aquamarine, the water is royal blue, the ground is mauve. The town is blue and purple. The gas is yellow and the reflections are russet gold descending down to green-bronze. On the aquamarine field of the sky the Great Bear is a sparkling green and pink, whose discreet paleness contrasts with the brutal gold of the gas. Two colorful figurines of lovers in the foreground.”
The original Starry Night Over the Rhone can today be found at the Musee D’Orsay in Paris, France.
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Painter on His Way to Work
“Painter on His Way to Work” depicts the artist walking to work, carrying his equipment. He is walking among green and yellow fields, with the open sky above him and hills only visible in the distance. Meanwhile, the sun is high in the sky.
The coloring in the painting is bright and bold, with very clear yellow and green colors surrounding the artist. Indeed all background colors are very light and encouraging, a very free use of bright colors. The artist himself is walking on a cobblestone road, which is also reflecting the rays of the sky to light up his walk. We see the characteristic deep brush strokes of Van Gogh reproductions especially when depicting this road.
The painting reflects the optimism of Van gogh at the beginning of his time in
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Coal Barges on the bank of the river
On this website, we have covered many of the most famous and extraordinary paintings of Vincent Van Gogh. However, Van Gogh’s body of work is extensive and contains numerous extraordinary paintings which show off the skills of this master. Among the less known masterworks are paintings like Coal Barges from 1888. Painted while Van Gogh resided in
The coloring in the painting is amazing. The way the green and yellow colors mixed with red spread across the sky as the sun rises, and how this light is reflected in the water, makes for a breath taking display. It creates a harmonious whole that boils of optimism and hope, as a new day begins with the firework of nature. It may not be among the most famous Van Gogh paintings, but it is definitely among our favorites!
Van Gogh and the Potato Eaters
Van Gogh painted the work “The Potato Eaters” in 1885 while in Nuenen in
The Potato Eaters divert sharply from later Van Gogh works in its use of colors. The bright and bold use of colors that was to become Van Gogh’s trademark later is thus no apparent in this work.
Today, The Potato Eaters can be found at the Van Gogh museum in